Zero to One

Book Cover

Concept

Brill is a window and door installation company based in Hungary that offers a wide range of products including doors, windows, windowsills, and shutters.

The scope of the project was to create a recognizeable logo for the company to make sure they are able to stand out from the competition and with that a business card and a vehichle vinyl design.

To depict the company's clean and precise service, the design of the logo had to

My objective for the logo was to represent the company's values of delivering a meticulous and uncluttered service to their customers. To achieve this, the logo features two windows with sharp, precise edges, coupled with a clean, modern typography.

A reimagined cover for the book Zero to One Written by Peter Thiel

Reimagined concept

Original version

Design Notes

Highlighting the Author’s Name

If the author is well-known, making their name more prominent can attract the target audience — and in this case, it makes perfect sense.

Peter Thiel, the author of Zero to One, is both a recognized name  (and a controversial figure in certain circles). Because of that, I gave his name a higher position in the visual hierarchy matching it's size to the title text.

Title

The original cover emphasized the word “One” using a light blue highlight, but other elements were also fighting for attention. It felt loud and unbalanced. I wanted the title to stand out in a calmer, more intentional way — not simply by being the largest text on the page.

To achieve that, I used generous negative space above and below the title, paired with a subtle grid background that ties into the book’s theme of building startups. I really like this concept of “building” and wanted the design to hint at a blueprint — something methodical and structured.

Blurb

On the original cover, the blurb was almost hidden, which didn’t make sense. It plays an important role in helping readers quickly understand the book’s value. In my redesign, I gave it more visibility without allowing it to overpower other elements. It now serves its purpose — offering a quick and clear insight into the book — while maintaining balance.

Colour

The original used a low-contrast color combination that lacked clarity. I chose a clean blue palette instead — one that feels trustworthy and calm. It subtly reinforces the idea of a blueprint, aligning with the book’s focus on building from the ground up. The use of blue also helps reduce visual noise and brings a sense of order to the composition.

Final Notes

I swapped the original typeface, Futura, for Helvetica to give the cover a more modern and reliable tone.

To bring everything together, I used a grid system that neatly organizes all elements. The end result feels more thoughtful, clear, and confident — much like the book’s message itself.

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